-
Clement of Alexandria on Knowlege and Reason
From the Stromata (Miscellanies) II, 4:
Should one say that Knowledge is founded on demonstration by a process of reasoning, let him hear that first principles are incapable of demonstration; for they are known neither by art nor sagacity. For the latter is conversant about objects that are susceptible of change, while the former is practical solely, and not theoretical. Hence it is thought that the first cause of the universe can be apprehended by faith alone. For all knowledge is capable of being taught; and what is capable of being taught is founded on what is known before.
One reason Patristic studies are fruitful is that the Fathers met many of the same philosophical objections to Christianity (to theism in general, in many cases) that we do today. We, like geese waking up in a new world every morning (well, that’s what my mother used to say) think that the assaults are new, but they are not. They were especially important to those who lived in Alexandria, such as Clement and Origen, where philosophy was deeply rooted. It’s not an accident that the first full-scale defence of Christianity was Origen’s Contra Celsum.
In Clement’s case here he is defending against an idea that we hear from atheists today: that they, uniquely it seems, consider things from pure reason while everyone else do not. Clement’s comeback is that the first principles are unknowable by reason or investigation. I would put it differently: I think that both sides are using reason but differing premises. To take the atheists as correct is not as much to say that their logic or reasoning is superior but that their premises are correct. Although I agree with Clement that many of the first premises are unknowable, a more immediate problem is that the atheists’ philosophical extrapolations from the science are faulty. One need only consider the multiple extrapolations from evolution–something that has bedevilled the theory from Darwin onward–to see that this is so.
On a lighter note, we can see Clement’s own logic on the subject of earrings. Although my Pentecostal bretheren will wince at the memory of legalism, we have certainly seen this come to pass:
The Word prohibits us from doing violence to nature by boring the lobes of the ears. For why not the nose too? (The Instructor, III, 11)
-
Good Friday and Easter Reflections
With the central event of the Christian calendar coming up, I’d like to link to some of my past pieces for the occasion. If you’re looking for something different for this, I can recommend the following:
- Good Friday
- They Tell Us What To Do and We Do It
- Every King is Proclaimed by Soldiers
- Cross of Shame (musical by the Kairosingers)
- We Are Donkeys. Yes, We Are.
- To Unite Oneself With Jesus Christ (Bossuet)
- Easter
- Good Friday
-
Pax Quartet: Merveilles
SM 30 423 (1970?)
This French contribution to the “Jesus Music” era is different in many ways. Given its reference to the liturgy on the back cover, it’s probably Roman Catholic in at least its target audience. As opposed to the “garage band” origin and feel of much of the work of the era, or the cavernous acoustics of traditional churches, this album is very professionally orchestrated and arranged in a good 1960’s French pop style. Finally it actually has the same songs on the back and front of the album: the front with lyrics, the back strictly instrumental. In a country where there isn’t a Christian bookstore selling tracks on every corner, that’s a good way of overcoming churches or parishes lacking musical talent.It’s an album that grows on you; I find myself putting it on more often than I care to admit.
The songs:
- Lumière et Paix
- Donne-Moi La Main
- Tu Vois Ma Solitude
- Merveilles
Instrumental Versions:
-
Inri Ezel: Aunque La Tierra Tiemble Debemos De Cantar
Roka LP-7316 (1973)
If the previous Puerto Rican album was a conservative throwback for its day, this one is anything but: it’s a hard-driving rocker, some of which isn’t particularly Hispanic in flavour. And it varies in style too, from very fast pieces to very slow ones. If the goal was to reach into the heads of all kinds of rock fans, it succeeds very well. Those of you with “Mi Orgullo” stickers on your car may want to turn this one up going down the street (local ordinances permitting), it’s something to be proud of.

The songs:
- Jesus el Nazareno Mi Dios
- Como Estas Picador
- Dios Es Spiritu
- Ven a Jesus
- Con Cristo Voy
- Dios es Nuestro Amparo
- Cristo te ama a ta
- Padre Nuestro
- La Corona de la Vida
- Solo Dios
- Gracias Papa

-
Ecos Celestiales: Escuchame Señor
EC-101 (1971)
For a departure from the recent postings, this one and the next feature albums from Puerto Rico. The recent election of a Latin American Pope has put the spotlight on this largely Roman Catholic world, but Latin America also has a strong Evangelical and Pentecostal presence, one that is changing both Latin America and the non-Catholic world at the same time. This didn’t happen all at once, and these albums are a fun testament to that.
Although the date on the album puts it in the early 1970’s, the style is a throwback even for that date, to the early or mid-1960’s. Nevertheless, this album is good “Jesus Music” era stuff in that it’s simple and authentic, and its power lies in both. In an era when too much of our Christian music, to say nothing of our praise and worship, smacks too much of a commercial production, this is a breath of fresh air.
- Escuchame Señor
- Haz Como Zaqueo
- Cristo Perdona
- Amigo Eterno
- Ahora Tenemos A Cristo
- Cristo Te Dara La Felicidad
- Atrevete A Ser Libre
- Cristo Ven A Mi
- Gloria Al Salvador
- Soy De Cristo


