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My Paper on Saint-Venant at Regent University
Long-time readers of this blog will recall my brief history of the French engineer Barré de Saint-Venant. I recently gave a more complete treatment of the topic at the Holy Spirit, Science, and Theological Education Conference at Regent University. You can download the paper here.
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Getting it Right on Palm Sunday
We’re coming up on Holy Week. Churches will be rolling out their Easter musicals. Because people don’t go to church on Good Friday like they used to, churches will also put the Passion narrative on Palm Sunday.
Palm Sunday…what’s that all about? It is, strictly speaking, the celebration of Jesus’ triumphant entry into Jerusalem, beginning what Bossuet calls “the last week of the Saviour.” The cheering crowds spread palm fronds along the way as he entered the city on a donkey.
For South Floridians, Palm Sunday echoes Palm Beach. But that’s complicated too. First the Town of Palm Beach doesn’t take kindly to people entering on a donkey. Second, the church I grew up in, which made little palm crosses for everyone to wear, became the church of the double cross.
Further north, the battle cry for houses of worship is “…let’s do it the way the Baptists do it!” Baptists for years preached against the liturgical year, but now Lifeway features Advent paraphernalia. But they still can’t sing what they’re supposed to on Easter, and things aren’t better the week before.
It’s time for improvement. The proper hymn for Palm Sunday is “All Glory, Laud, and Honour,” depicted in the highly English performance below. (Personally I think we did a better job back home with our paid youth choir, but I digress…”
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Dumping at Last the "Contract on the Episcopalians"
The ACNA has released their “Texts for Common Prayer.” It’s something I’ve mentioned from time to time over the years. But it’s obvious; if the ANCA plans to be a real church and a real Anglican province, they need to have a real prayer book. The danger has always been that liturgists who were clumsy, revisionist or both would get into the process and ruin this important task.
I am pleased to report that, at least at one point, the ACNA has succeeded in undoing the dirty work of the 1979 BCP: they have excised the “Contract on the Episcopalians” from the baptismal rite. You can read the new ACNA rite here but they’ve opted to revert to a more traditional Anglican approach of giving the world, the flesh and the devil the boot in baptism.
As most of my readers know, I believe that people should be of “riper age” before being baptised. But the “Contract on the Episcopalians” has stuck in my craw for a long time, and kudos to the ACNA for putting it out of its misery.
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Tom Belt and the God Unlimited Singers: The Agape Factory
GIA M/S-142 (1971)God Unlimited’s earliest works were a hard act to follow. A group that, in some ways, set the pace for Episcopal/Catholic folk music sounds more “mainstream” than creative in this work.
Part of that was the inclusion of a set of “Mass ordinaries” (use of the term “Mass” wasn’t quite according to Hoyle in the Episcopal church of the day.) And those ordinaries showed that they were “in the groove” of the trial liturgies of the day and not the official 1928 Book of Common Prayer. As a result they’re more in sync with Roman Catholic efforts than, say, The Winds of God. It’s not the best Mass out there, and the multi-part harmonies almost guaranteed that it seldom saw daylight at the parish level.
The rest of the album is a good effort but a little of a let-down from their earlier heights. The title track is an allegory of the “Jesus Music” era. Unfortunately after the 1970’s most of American Christianity went back to making only grey bricks, with the disastrous result we have today.

The musicians:
- Mavis Brechan
- Jim Dumbauld
- Tom Belt
- Betsy Belt
- Cindy Hofman
- Robbie Bethancourt
- Todd Sorensen
The songs:
- Kyrie Eleison
- Glory To God
- Creed
- Holy, Holy
- Our Father
- Lamb Of God
- The Agape Factory
- Light The Day
- Israel
- Free To Live
- I Am Here Lord
- This Is My Song Alleluia
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Ed Gutfreund: From an Indirect Love
Epoch VII EG100 (1974)

“The old folk Mass” has become the phrase used by teary-eyed, nostalgic Catholics (and some who left the Church) for the liturgical events of the 1960’s and 1970’s, when the organ gathered dust and the guitars–six and twelve string–were unpacked for the celebration of the sacred mysteries. But was it really folk music? Or was it just music done in a folk style and instrumentation?
Falling into the first group is this album. Ed Gutfreund, familiar to many old NALR aficionados, is a real folk musician who put out this, a real folk album. He’s best known for his rendition of the Baptist classic “How Can I Keep From Singing,” which introduced this to many Catholic churches. That alone made him memorable, but many of his other songs deserve much more play and performance than they get these days.
Gutfreund, in some ways like Sebastian Temple, is an upbeat composer and performer. That contrasts him with the more moody, minor key style we see in, say, a Roger Smith, and that should have made him more popular as a liturgist. The problem, however, may be that, as a true folk musician, his work is harder to perform than many of those who simply use folk instrumentation.
And it doesn’t take much for Gresham’s Law to work in Catholic music. Gutfreund, like many other good Catholic composers and musicians (like fellow folk musician Juliana Garza) got thrown under the OCP bus during the pontifical reign of John Paul II. Coupled with the liturgical translation changes, much of the “old folk Mass” is pretty much history. And that’s a pity.
Note: this album is unusual in one other respect in that the music specifically for the Mass is interspersed with the other songs, as opposed to the time-honoured practice of putting these pieces at the end of Side 2.

The songs:
- Good Morning, Zachary
- Lord, Have Mercy On Us All
- Alleluia, Praise To The Lord
- When We See
- Back And Forth
- In The Day Of The Lord
- How Can I Keep From Singing
- When We Gather We Proclaim
- The Children Of Sunlight
- Your People Of Faith
- The Lights Of The City
- From An Indirect Love
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Sandi Yonikus: Building the Earth
Liturgical Press 11468 (1968)

This “pre-NOM” album (which means we’ve had one and a half liturgical upheavals since then) is, despite its pretentious title, a mixture of a children’s’ album and early Catholic folk. Or maybe the pretentious title is reasonable: children are the future, something that the dropping birth rate of the time tended to lose sight of. In any case, it’s a reasonable effort in both respects. It’s also a composite effort: in addition to the children from the parish school, it includes seminarians from St. Mary’s Seminary in Houston and some help from the Catholic Student Centre at the University of Texas. (That’s hard to take for an Aggie, but…we knew how to deal with Catholic students from Austin.)
In addition to this effort, Sandi Yonikus (1936-1988) was also a writer of children’s books.

The songs:
- Building The Earth
- Our God Is Good
- Spirit Of God
- Gio (The Little Yellow Bird)
- We Come As Your People
- I’ll Find Me A Mountain
- He’ll Come Again
- Knock On Any Door
- Sing Alleluia
- Teach Me
- Christ Takes His Throne
- Sing With Joy
- Gather ‘Round The Table


