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A Pentecostal Finally Gets It on the Eucharist
It took long enough, but Jonathan Martin finally “threw his wallet on the table” about this:
I do not hold to the Catholic doctrine of transubstantiation-it is too speculative for my taste. But I do believe very much in real presence, that there is a mysterious way that we partake in the presence and power of God when we come to eat and drink. That said, I love the emphasis in Catholic tradition that there is something objectively true on the table, something you can stake your life on. When I finally got around to Thomas Merton’s famous memoir of conversion, The Seven Storey Mountain, I was surprised to find myself largely unmoved. But the one part that haunted me was where he wrote that the main reason he wanted to live in a monastery was to abide under the same roof as “the host,” to be in the same space as the elements. Even as one who doesn’t believe in transubstantiation, that moved me-the hunger to be where the meal is, because you believe that deeply that God is at work in it.
Most regular readers of this blog know that I have advocated this for a long time. I do have a couple of comments about this.
First, re his comments about transubstantiation, it’s a very technical concept, but even Catholics who are very familiar with the Church’s teaching on the subject will admit that it isn’t the only way to explain the transformation that takes place in the Eucharist. The Orthodox believe in the real presence without transubstantiation, and of course Martin mentions Wesley and Luther.
Second, I don’t feel the compulsion that he does for a specifically “Pentecostal” theology on this or a variety of other subjects. I think if we really believe that what the Church experienced in Acts is still for today, that we don’t need to carve out a theological niche for ourselves. And we don’t need to set certain types of Christianity or certain periods of the history of the church as “off-limits”.
But this is good news. The reaction to this will be interesting.
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Stewart Henderson: Whose Idea of Fun is a Nightmare
(Dovetail DOVE 35) 1975
One of the most difficult genres of albums to sell is the spoken word. That’s because it’s not easy to sustain the listener’s interest over a sustained period. Long talking head videos have the same problem.
This album is a glorious exception to that. Henderson, originally from Liverpool, regales us with hilarious (and profound) humour that entertains, holds the interest and provokes thought. He uses some interesting music to spice things up as well. It’s too English in spots for Americans to fully grasp, and some of his humour is a little dated, but this gem shows that Christian comedy doesn’t have to be banal.
Henderson, a poetry reader for the BBC, is presently collaborating with Martyn Joseph on their CD Because We Can.
The poems (for individual download:)
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- Intro
- And I Received A Vision
- Way Past My Birth Time
- My Garden used To Look Ever So Nice
- Mind The Doors
- Yours, Not Ours
- Vegetarian Love Poem
- Splintered Messiah
- She Wrote This Poem, I Just Typed The Words
- To Write Of Love
- I Die Now
- I’m Dousing Myself With Cosmetics
- Crack, Rap, Snap
- Incident From A Sleeping Head
- Hammersmith Dream
- Typewriter Poem
- Poem For A Big Al
- Who Never Gets In The New Year’s Honours List
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Atheists in the Pulpit? The Last Step, but Not the First
Albert Mohler documents the rise of the “Clergy Project”:
The Clergy Project’s own statement is even more blunt, describing itself as “a confidential online community for active and former clergy who do not hold supernatural beliefs.” Most people, believers and unbelievers alike, are no doubt in the habit of thinking that the Christian ministry requires supernatural beliefs. That assumption is what Richard Dawkins and the Clergy Project want to subvert. More precisely, they want to use the existence of unbelieving pastors to embarrass the church and weaken theism.
Atheist clergy may be the last step in the corruption of people of the cloth, but it certainly isn’t the first. The saga of the fall of the Episcopal Church began when its clergy began to doubt and cast off the essentials of the Christian faith. The rot then spread to the laity. Denial of doctrines such as the Virgin Birth, the Resurrection and other key beliefs antedated the controversies that engulf our times. That may be hard to remember for some, but it’s a fact. And I have heard snippets, over the years, that certain Episcopal clergy didn’t believe in God.
That, of course, makes atheist clergy an interesting situation in liberal churches:
Dennett and LaScola made a very interesting and important observation in their research report. They acknowledged that defining an unbelieving pastor is actually quite difficult. Given the fact that so many liberal churches and denominations already believe so little, how is atheism really different? In the name of tolerance, the liberal denominations have embraced so much unbelief that atheism is a practical challenge.
From a Christian standpoint, the only way something like this and the unbeliefs that led up to it can stand is when the church is characterised as a social agency and not the Body of Christ. Once you do that, the church is no different from the ill-starred Komen Foundation.
I also found this distasteful as well:
Why didn’t they just resign? Most shockingly, some openly spoke of losing their salaries as the main concern. So much for intellectual honesty.
The truth of the matter is that atheist clergy who stay are no better than the likes of Robert Tilton, for whom the money was the deal both doctrinally and personally. They can set themselves up in the usual liberal self-righteousness but in the end if it’s all about the money and a career it’s no different.
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The Alethians and the Right Angle with David Pope: One Way
(Myrrh MST 6506) 1972 UK
One curiosity of Christian records in the “Jesus Music” era are albums where one side is recorded by a different group than the other. A helpful way for two groups to share the cost, it had the added bonus of not requiring one group to come up with more that 20-25 minutes of music. Given the quality of some of the groups, that was a big plus for everyone.
Although both groups get lead vocals from David Pope, that’s where the similarity ends. The Alethians are a straight-up, Fisherfolk type group whose acoustic guitars and very light percussion will gladden the heart of any 1970’s Christian folk fan. The Right Angle, however, did something that few other Christian groups tried: a “lounge lizard,” jazzy style that would be happier in a bar than in a church. Their “rat pack” rendition of “Pass It On” is an absolute classic, and reason enough alone to have the album.
The songs:
- The Alethians:
- Come And Go With Me
- The Reason Why
- You Can ‘Tell The World
- Reflections
- Darkness
- One Way
- The Right Angle:
- I Cannot Understand
- The Way Was Dark
- Pass It On
- Questions
- I Heard About
- A Quiet Place
- The Alethians:
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And now a word about the Field Mass…
Last week I took a page from “cassock and surplice” Anglicanism–the funeral of World War I flying ace Manfred “Red Baron” von Richtofen–to show what “1662 BCP” Anglicanism looked like in a celebrated event. The significance of my slighting the alb was well understood. So I guess a little “equal time” might be in order. (Well, sort of…)
The “field Mass” is part and parcel with Roman Catholics serving in the various armed forces they do. In years past and in countries such as Italy and Austria-Hungary, the field Mass was an important part of their military tradition. (We also see it in our own armed forces as well).The photo at the right is one reason this is so. It shows a field Mass during World War I for Italian Alpine troops in the Tyrolean Alps. Italian Alpine troops were some of their nation’s finest, as were their Austrian counterparts. Superbly trained and fighting in the most difficult conditions, it was a special duty for a chaplain to minister to them.
In the years immediately following Vatican II, American Catholics were told that, before that watershed event, the Mass was “vertical” in focus, i.e., towards God, while afterwards it was more “horizontal” (community) in emphasis. Be that as it may, this photo shows the most vertical Mass I have ever seen.
As was the case uniformly before Vatican II, the priest is facing the altar and behind it. Generally speaking the congregation in its turn is behind the priest. But, in these conditions, the faithful had to view the elevation of the Host from whatever place they could stabilise themselves in.
We’re still waiting for Anglo-Catholicism to rival this…
