Back in November, I posted a brief narrative piece from the Moody Blues’ album Days of Future Passed, along with some thoughts on the album’s New Age underpinnings and its influence on me and on my novel The Ten Weeks.
A snatch of that narrative piece is a good way to note the sad passing of the album’s producer, Tony Clarke:
The record producer Tony Clarke was one of the architects of symphonic “prog rock” through his work with the Moody Blues. His production on the group’s album, Days of Future Passed (1967), and its hit single, Nights in White Satin, blended the sounds of an electric rock band with a symphony orchestra and came to be seen as a hugely influential landmark. He went on to work with the group on six more albums, helping them to become one of the most commercially successful bands of the era.
Positive Infinity 
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