-
Month of Sundays: Faith
As they passed by early in the morning, they noticed that the fig-tree was withered up from the very roots. Then Peter recollected what had occurred. “Look, Rabbi,” he exclaimed, “the fig-tree which you doomed is withered up!” “Have faith in God!” replied Jesus. “I tell you that if any one should say to this hill ‘Be lifted up and hurled into the sea!’, without ever a doubt in his mind, but in the faith that what he says will be done, he would find that it would be. And therefore I say to you ‘Have faith that whatever you ask for in prayer is already granted you, and you will find that it will be.’ And, whenever you stand up to pray, forgive any grievance that you have against any one, that your Father who is in Heaven also may forgive you your offenses.” (Mark 11:20-25)
The pastor was insistent that his finance man build “faith” into the church’s budget. There were new staffing priorities to be met. And what kind of faith would be applied? By using the savings from elsewhere in the budget!
It’s easier to preach faith than to live it. Many of us have been taught about the power of our words, and how we must speak faith and believe for miracles. But when it comes times to really live by faith rather than only positive words, we’re too quick to retreat to things we know will work.
The one way we know that we’re living by and in faith is when there is no alternative. Those who have no other way to live know this. The greatest stories of faith and miracles come from places where there is no earthly alternative. As Christians accumulate wealth, it’s too easy to forget real faith and try to substitute “powerful words” for an attitude where we know that we would be nothing without God’s power and care in our lives.
And note the last sentence: we must forgive others when we pray. When we complain about our prayers going “unanswered” and the heavens seem like brass, ask this question: was the brass poured in our foundry of unforgiveness?
-
Racoons in the Episcopal Church
While everyone else struggles with same sex blessings. we have this:
The Episcopal Church of Bethesda-by-the-Sea grounds keeper Keith Reisley has seen as many as 10 raccoons on the grounds recently.

My Southern readers (and some of the closet redneck relatives I have up North) doubtless have ideas on how to deal with a problem of this nature. But a town like Palm Beach, which cultivates feral cats, just isn’t that kind of place…
-
Making It to the "Cover" of Stand Firm in Faith
It’s been a busy time this year, and blogging has been a little harder than usual. But I’m pleased to announce that Positive Infinity is now listed in the “Around the Web” blog roundup of Stand Firm in Faith, which is in many ways the conservative Anglican blogosphere’s “anchor” blog.
Thanks so much to Greg Griffith for this.
As an old 1960’s and 1970’s rocker, I’m tempted to recall Dr. Hook and the Medicine Show’s song about getting on the cover of the Rolling Stone. But there’s no need to buy five copies for my mother: not only is SFIF a blog, but also she’s in heaven, doubtless amazed at my virtual return to the Anglican-Episcopal world.
-
Songs for the Masses
Songs For The Masses (Bradley BRC 4165/NALR 35178, 1974)
Liberation Theology buffs will recognise the clever double meaning of the album’s title. But this album, which ended up as part of North American Liturgy Resources’ offerings, has some very strange aspects to it.
To begin with, the albums performers are only designated as “students of St. Mary’s Seminary” (which is in Baltimore, MD.) Had Tim Schoenbachler, Tom Schaefer and Dan Ripellino not written the music, the whole business would have been completely anonymous except for the uncaptioned photo of the performers (well, we hope they’re the performers) on the back.
But our three composers get the short shrift in later NALR productions, as one of the songs on this album is later attributed to a St. Louis Jesuit!
That all being said, Songs For The Masses is a good representative of 1970’s Catholic liturgical music. The instrumentation is above average, and the songs are good too (in the case of “Lamentations,” the lyrics are nothing short of jolting.) We’re also positive that Martin Kane (if he’s still with us) won’t care for the endless musical re-enactment of his baptism. But the music for the Mass is good and its revival wouldn’t be the worst thing a parish could do.
Update: as you can see from the comments, this is a popular post, both with the fans of this music and with the artists. Tom Schaefer and Dan Ripellino have started a YouTube channel for their music, which you can find here.
The songs:- Theme
- Rise Up Jerusalem
- The Lord is My Hope
- Psalm 97
- Simeon’s Canticle
- Make Known Your Way
- Baptism Prayer
- People of God
- Lamentations
- Sanctus
- Memorial Acclamation
- Amen
- Yes, Lord, Amen
- Be Filled With the Spirit
- A Song for the Masses
-
Month of Sundays: Excuses
They all with one accord began to ask to be excused. The first man said to the servant ‘I have bought a field and am obliged to go and look at it. I must ask you to consider me excused.’ The next said ‘I have bought five pairs of bullocks, and I am on my way to try them. I must ask you to consider me excused’; While the next said ‘I am just married, and for that reason I am unable to come.’ (Luke 14:18-20)
As Gilda Radner said, it’s always something.
These were especially lame excuses:
- Did the first man buy this field sight unseen? I have some land in the Everglades for you, too!
- Did the second man plan to try out the oxen in the dark? The call to the meal came in the evening.
- The third man was being invited to a dinner, not a war, which was the reason the law gave to be excused (cf. Deuteronomy 24:5)
And, they were in one accord, too!
There are always excuses we can come up with not to respond to God’s call. And they sound good to our ears when we give them. But ultimately there’s no excuse to turn our backs on “…that heavenward Call which God gave me through Christ Jesus.” (Philippians 3:14b)
The will of God cannot be frustrated. We all have a call and we all have a purpose for our life. Our task is to answer that call and do it. If we do not answer the call, someone else will. And that someone else will reap the reward that God has for his or her life.
And the lord said unto the servant, Go out into the highways and hedges, and compel them to come in, that my house may be filled. For I say unto you, That none of those men which were bidden shall taste of my supper. (Luke 14:23-24)
-
Leo Nestor: Sons Of The Morning
World Library FR-1953-SM (1970)
This pre-Novus Ordo Missae work (an important consideration if you’re planning on using it liturgically) displays something that you don’t see very often in this type of music: some classical training amongst the writers and performers. Leo Nestor is the Justine Bayard Ward Professor of Music at the Catholic University of America, and that training–perhaps in progress when this album was produced–shows. He composed and conducted all of the music.
It’s not the most accessible work from the era, and the synthesisers aren’t “leading edge” like they used to be, but it’s definitely beautiful in spots. It’s a pity that Nestor has banished it from his CV. It’s something that deserves a listen. A good Lenten work.
Update (April 2020): Leo Cornelius Nestor passed away 22 September 2019. It’s worth nothing that, in his obituary, he still doesn’t own up to Sons of the Morning!
-

Songs (for individual download:)
- Genesis
- Song Of Creation
- Prologue To John (words adapted from The New Testament by Kleist and Lilly)
- Prayer
- The Lord’s Prayer
- Deep Waters Canticle
- From Heaven The Lord Looks Down
- In The Brightness Of Our Rising
- A Meditation On Hope
- Hymn Of Love
- Sons Of The Morning
- The Canticle Of Brother Sun
Other Credits
- Recording Engineer: Jeffrey R. Gile
- Technical Advisor: Forrest McDonald, OFM
- Tenors: Arthur Larson, OFM, Forrest McDonald, OFM, Vincent Mesi, OFM, Paul Warren
- Baritones: Patrick Graves, OFM; David Leary, Gregory Ndour, Thomas Watson
- Guitarists: Daniel Skarry (Six-String), Daniel van Dyke (twelve-string), Jeremy Young (bass)
- Cover photography: Ron Caspers, San Francisco
- Synthesised Sounds: Dr. Glenn Glascow, Electronic Music Department, California State College at Hayward
- Recorded at Baytown Studios, Hayward, California
-
